Tomorrow’s Man draws from the artist's personal experience of immigrating to the U.S. in 2020, amidst the turmoil of a polarized election year. By inserting his body into this charged political landscape, the artist "queerizes" the space, infusing it with vibrant colors and flamboyance, disrupting the dominant narratives with an assertive declaration of identity and self-expression.

The poses and title of the piece evoke 1950s physique magazines, which both celebrated and constrained queer masculinity. This visual intervention uses historical imagery to interrogate and subvert the politics of representation, suggesting that identity—particularly queer identity—is in constant negotiation with the socio-political forces that seek to define or limit it. The work serves as an act of reclamation, reinserting joy and defiance into a landscape often marked by division and exclusion.